The following thesis explores my use of personal and audience/collaborator discomfort as both a creative engine and an organizing principle in my playwriting. I focus on the writing, developmental journey, and texts of two plays: She Gets Naked in the End and Third Street. / text
Identifer | oai:union.ndltd.org:UTEXAS/oai:repositories.lib.utexas.edu:2152/26851 |
Date | 23 October 2014 |
Creators | Oglesby, Brian Christopher |
Source Sets | University of Texas |
Language | English |
Detected Language | English |
Type | Thesis |
Format | application/pdf |
Page generated in 0.0017 seconds