Thesis (M.Arch. (Professional))--University of the Witwatersrand, Faculty of Engineering and the Built Environment, 2016. / Forests, and the products we harvest from them, are vital to our
economy and built environment, yet we have spiritual and emotional
connections to trees which are at odds with these economic realities.
This thesis explores how architecture can act as a filter between the
real and ideal worlds by looking at the nature of indigenous forests in
South Africa, the abundant plantations so necessary to construction
and trade, and the problem of invasive trees which act as destroyers
of our fragile ecosystems.
The building is a centre for sustainable forestry in the Outeniqua forest
outside Knysna - progressively removing invasive trees, turning them
into useful wood products, and re-planting with scarce indigenous
trees. In a social context of high unemployment this didactic building
aims to connect ancient woodworking craft to modern fabrication
technology for the purposes of skills training, reforestation and
economic upliftment.
The woodcutter kills the tree, but brings us wood - a material of
infinite uses: pliable, strong, beautiful in its variety – a material for the
craftsman to shape, sand, and join. The tensions between destruction
and creation, natural and man-made, and industry and craft are
brought to the fore in the search for the diverse, the specific, and the
beautiful. / EM2017
| Identifer | oai:union.ndltd.org:netd.ac.za/oai:union.ndltd.org:wits/oai:wiredspace.wits.ac.za:10539/22005 |
| Date | 25 January 2016 |
| Creators | Van Loggerenberg, Nico |
| Source Sets | South African National ETD Portal |
| Language | English |
| Detected Language | English |
| Type | Thesis |
| Format | Online resource (323 pages), application/pdf |
Page generated in 0.0018 seconds