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The question of validity in Vasari's art historical concept

From Introduction: Giorgio Vasari's first and second editions of his 'Lives of the Artists I appeared respectively in 1550 and 1568, just after the great period of Renaissance art in Florence and Rome had ended. As a practising Florentine architect, painter and sculptor who travelled extensively in Italy, sari could write with authority on the development of these arts throughout what he saw ~s the whole Renaissance period in that country, from the l ate 13th to the mid-16th century. Gathering information from all possible sources, his 'Lives' constitute the first comprehensive historical - critical survey of Italian Renaissance art. Much of their value resides in the first hand information they contain concerning the artists (Michelangelo in particular) who were his contemporaries, and in reflecting the aesthetic attitudes prevalent in a peak period in the history of art.

Identiferoai:union.ndltd.org:netd.ac.za/oai:union.ndltd.org:rhodes/vital:2465
Date January 1983
CreatorsGibb, Barry
PublisherRhodes University, Faculty of Humanities, Fine Art
Source SetsSouth African National ETD Portal
LanguageEnglish
Detected LanguageEnglish
TypeThesis, Masters, MFA
Format51 leaves, pdf
RightsGibb, Barry

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