The harmony of Vaughan Williams defies classification in terms of traditional harmony alone, making use as it does at times, of structures of superposed fourths, so-called "added-note" chords, and random sonorities, as will appear. Therefore, the chords will be placed into two principal categories of usage, traditional and non-traditional.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc663320 |
| Date | 01 1900 |
| Creators | Edmonds, Billy Joe |
| Contributors | Ottman, Robert W., Hibberd, Lloyd |
| Publisher | North Texas State College |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | vii, 95 leaves: music, Text |
| Rights | Public, Edmonds, Billy Joe, Copyright, Copyright is held by the author, unless otherwise noted. All rights |
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