This study examines the history and development of vibrato among classical saxophonists as well as briefly summarizes the history of vibrato in general from its origins on string instruments, the voice and other wind instruments. An analysis of recordings of early saxophonists shows the approximate time period of incorporation of vibrato on the saxophone and the influences of performers and musical styles on its development. Pedagogical methods of performing vibrato on the saxophone are included as well as a discussion of saxophone vibrato styles. An exploration of vibrato as an expressive musical device is provided along with conclusions drawn concerning performance practice implications.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc330729 |
| Date | 12 1900 |
| Creators | Lamar, Jacquelyn B. (Jacquelyn Brown) |
| Contributors | Truax, Debra R., Brothers, Lester Dwayne, 1945-, Scott, John C. (John Charles), 1947-, Baird, Edward A. |
| Publisher | North Texas State University |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | xi, 47 leaves: ill., music, Text |
| Rights | Public, Lamar, Jacquelyn B. (Jacquelyn Brown), Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved. |
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