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Audiovizuální distribuce v digitální době / Distribution of audiovisual works in the digital era.

Comparing two, on the first look very different storytelling methods, might seem inappropriate. But everyone who saw a film based on a book or the other way around, doesn't have any problem with comparing these two against each other, pointing out strengths and weaknesses of each interpretation of the same story. In this paper I am focusing on comparison of distribution and development possibilities of film and computer game industries. Even though film professionals are trying to be innovative, game professionals are step ahead in the area of digital distribution, mainly if we target independent film or game distribution. The same applies to crowdfunding campaigns, which are in fact a possible beginning of distribution. In the end, it's always the producer who should develop and use a specific type of funding and distribution type for his audio-visual works.

Identiferoai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:251437
Date January 2015
CreatorsPinkava, Jakub
ContributorsHavas, David, DANIELIS, Aleš
PublisherAkademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna
Source SetsCzech ETDs
LanguageCzech
Detected LanguageEnglish
Typeinfo:eu-repo/semantics/masterThesis
Rightsinfo:eu-repo/semantics/restrictedAccess

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