The purpose of this study was to investigate the uses of the falsetto voice in training the male singer. Developing the upper voice is one of the most difficult problems facing the male singers. A most controversial approach to solving this problem is the use of the falsetto. The falsetto has been a subject of mystery among singers and vocal teachers for centuries. Some authorities have ignored it; some have denounced; others have greatly extolled this vocal enigma. Many myths and misconceptions surround the subject of falsetto. Even in the present age of scientific research and knowledge, there is little understanding of the falsetto--of its value and its use. The material dealing with falsetto is very brief and inconclusive in most pedagogy books. Therefore, there seemed to be a need for a systematic collection of pedagogical ideas concerning the male falsetto. This report will attempt to present all sides of the controversy.,
Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc663525 |
Date | 01 1900 |
Creators | Coryell, Samuel E. (Samuel Eugene) |
Contributors | McGuire, David C., Farish, Stephen |
Publisher | North Texas State University |
Source Sets | University of North Texas |
Language | English |
Detected Language | English |
Type | Thesis or Dissertation |
Format | viii, 118 leaves: ill., music, Text |
Rights | Public, Coryell, Samuel E. (Samuel Eugene), Copyright, Copyright is held by the author, unless otherwise noted. All rights |
Page generated in 0.0019 seconds