The thesis is concerned with an atypical image type of the Holy Trinity. Mediaeval authors stood in front of the hard question, how imagine three personed God (three different persons one substantiality) in the art work so that be express doctrine of the Trinity. They put up with this challenge in a different ways. In the first part of the thesis describing development, stabilizing and final acceptance of the "Nicene-Constantinopolitan Creed". At the same time is this part some of introduction to this Christian mystery. The second part is then focused on a development particular iconographic types, famous analogies, trinity symbols, etc. Fourth chapter is dedicated to concrete three locations in Upper Hungary area (Žehra, Ochtiná, Rákoš), where we can see this atypical iconographical three headed type. Special care is devoted absolutely unique picture of the Holy Trinity in Rákoš.
Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:351782 |
Date | January 2015 |
Creators | Zemanová, Anna |
Contributors | Royt, Jan, Pučalík, Marek |
Source Sets | Czech ETDs |
Language | Czech |
Detected Language | English |
Type | info:eu-repo/semantics/masterThesis |
Rights | info:eu-repo/semantics/restrictedAccess |
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