The dialectic about body and 'self' osculates between material and conceptual paradigms. The breaking down of the poles between mind and body has stimulated a range of debates about subjectivity, desire, and knowledge. The body viewed as an anatomical specimen in the history of Western culture fails to acknowledge the corporeal other, it also does not acknowledge the way in which it has been constructed in a framework based on masculine desire and knowledge. This dissertation explores the profiles of the psychological 'body image' as a pathway to two different conceptual frameworks about the body. Firstly by using vision as a mode of investigating the relationship between the corporeal gendered 'self' and the anatomical other in Western culture. Then using the conceptual understanding of the 'body image' to extend beyond the limits of vision to a vaporous, more ethereal account of self. This concept blurs the edges of the corporeal self by using the olfactory as the basis for crossing the 'unseen' boundaries of body space and subjectivity. / Master of Arts (Hons) (Visual Arts)
| Identifer | oai:union.ndltd.org:ADTP/235312 |
| Date | January 1997 |
| Creators | Deer, Laraine, University of Western Sydney, Faculty of Performance, Fine Arts and Design |
| Source Sets | Australiasian Digital Theses Program |
| Language | English |
| Detected Language | English |
| Source | THESIS_FPFAD_XXX_Deer_L.xml |
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