The purpose of this study is to explore the past, present and future of the development of Western piano culture in Northeast Asia and the musical, social, political and economic facets thereof. Western piano was first introduced to general public as part of the Westernization process during and after World War II in Asia. During the second half of the twentieth century, Asian piano culture has experienced a period of rapid development and mass popularization along with dramatic cultural, economic and technical developments. Quantifiable evidences for this are given in the number of competition winners and graduates of prestigious institutions with Asian heritage. Piano sales and manufacture of Asian companies gives further testament to the popularity of piano in Asia. Finally, the paper acknowledges the achievements identified and suggests ways in which Asia could become a fully independent culture central for piano in the future, with a close look at factors such as the diversity and quality of education programs and syllabi, social norms formed as a result of rapid modernization, and the constituent ratio of Asian decision-makers in eminent music organization.
| Identifer | oai:union.ndltd.org:BGMYU2/oai:scholarsarchive.byu.edu:etd-6936 |
| Date | 01 May 2016 |
| Creators | Cho, Yejin |
| Publisher | BYU ScholarsArchive |
| Source Sets | Brigham Young University |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | All Theses and Dissertations |
| Rights | http://lib.byu.edu/about/copyright/ |
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