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Power politics: gender and power in Mary Elizabeth Braddon's Lady Audley's Secret and Wilkie Collins's No Name

While literary critics acknowledge Mary Elizabeth Braddon's Lady Audley's Secret and Wilkie Collins's No Name as sensation novels that were considered popular literature during the 1860s, many critics often fail to recognize the social and political implications embedded within these texts. In No Name, for instance, Collins's use of a heroine that is disinherited and deemed illegitimate by the law emphasizes the overpowering force of patriarchy. In response to patriarchal law, therefore, the heroines of Lady Audley's Secret and No Name attempt to improve their social positions in a society that is economically dependent upon men. Braddon's Lady Audley and Collins's Magdalen Vanstone are fictional representations of women who internalize the inequality of patriarchy and strive to contest male domination. By centering their novels on heroines who endeavor to defy Victorian social norms, Braddon and Collins highlight the problem of the female in a male-dominated society. / by Rebecca Ann Smith. / Thesis (M.A.)--Florida Atlantic University, 2009. / Includes bibliography. / Electronic reproduction. Boca Raton, Fla., 2009. Mode of access: World Wide Web.

Identiferoai:union.ndltd.org:fau.edu/oai:fau.digital.flvc.org:fau_3411
ContributorsSmith, Rebecca Ann., Dorothy F. Schmidt College of Arts and Letters, Department of English
PublisherFlorida Atlantic University
Source SetsFlorida Atlantic University
LanguageEnglish
Detected LanguageEnglish
TypeText, Electronic Thesis or Dissertation
Formatv, 102 p., electronic
Coverage19th century, Great Britain, 19th century
Rightshttp://rightsstatements.org/vocab/InC/1.0/

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