Combining traditional source and modern technique in musical composition has become one of the major trends in the contemporary music development. William Bolcom (1938- ) is an important composer in the 20th century, who followed this trend to compose the two-piano work Recuerdos ¡V Three Traditional Latin-American Dances for Two Pianos (1991). Inspired by characteristics of traditional Latin American dance, Bolcom employed the elements of the Latin American music as the structural foundation. In each of the three movements, Bolcom has tried to recall the stylistic features of the folk music in Brazil, Argentina, and Venezuela, as well as musical languages of Ernesto Nazareth (1863-1934), Louis Moreau Gottschalk (1829-1869), Ramón Delgado Palacios (1863-1902).
Bolcom uses a lot of Latin America music materials in Recuerdos, and also applied contemporary compositional technique to this work, such as polytonality, serialism, collage, etc. Chapter One in this paper will introduce Bolcom¡¦s life background and musical composition experience, and the special characteristics of his five two-piano works. Chapter Two contains the historical background of Recuerdos, mainly discussing musical styles of three countries and three composers which Bolcom wanted to evoke in this composition. Chapter Three includes the compositional manners of Choro, Paseo, and Valse Venezolano, and researches how Bolcom intergrating diverse musical materials and still creating the unity among three movements.
| Identifer | oai:union.ndltd.org:NSYSU/oai:NSYSU:etd-0130108-144032 |
| Date | 30 January 2008 |
| Creators | Yu, Yung-ching |
| Contributors | Ying Kwang-I, Lin yea-shiuh, Lee Mei-Wen |
| Publisher | NSYSU |
| Source Sets | NSYSU Electronic Thesis and Dissertation Archive |
| Language | Cholon |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0130108-144032 |
| Rights | withheld, Copyright information available at source archive |
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