It is obvious that the Mozart Eb Major Concertos for Piano, K. 271 and K. 482, bear certain resemblances to each other. The primary conclusion of this study is that Mozart consciously looks to K. 271 as a guide for his later composition. Consider the fact that the "Jeunehomme" concerto establishes Mozart as a mature musician and wins him public acclaim. He seeks to regain public favor with the later work.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc663438 |
| Date | 01 1900 |
| Creators | Blocker, Robert L. (Robert Lewis), 1946- |
| Contributors | Cass, Richard, McKinley, Frank |
| Publisher | North Texas State University |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | vi, 51 leaves : illustrations, Text |
| Rights | Public, Blocker, Robert L. (Robert Lewis), 1946-, Copyright, Copyright is held by the author, unless otherwise noted. All rights |
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