Master thesis Documentary theatre, documentary and theatre deals with condracition contained in a term "documentary theatre". It examines, how is the function of "documentary" influenced by being part of a dramatic piece, which is as a piece of art essencially artificiel and based on a duality of original and sign. It investigates documentary theatre based on so called "experts of the everyday", which replaces a professional actor by a witnesses, personally related with a documented reality. This theatre by its changement of a key component of theatre brings a princip of "staging reality" to its certain peak.
In the first part of this thesis we characterise a field of examinated topic and we confront it with a related branches (like a realism, a documentary film and an oral history), which helps us to characterise it thourgh a diversity of different perspectives. In its second part we analyse two contemporary czech documentary performances dealing with "experts": Vadí/nevadí of Jana Svobodová and 4. svět of Tereza Durdilová. In its third part we explore our topic from the point of view of czech theory of theatre, represented in this work by Otakar Zich, Jan Císař, Ivo Osolsobě and Jaroslav Etlík, focusing on the problematic of reception of sign and original on a theatre scene.
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:251464 |
| Date | January 2016 |
| Creators | Součková, Kateřina |
| Contributors | ETLÍK, Jaroslav, CÍSAŘ, Jan |
| Publisher | Akademie múzických umění v Praze.Divadelní fakulta. Knihovna |
| Source Sets | Czech ETDs |
| Language | Czech |
| Detected Language | English |
| Type | info:eu-repo/semantics/masterThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
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