What tools do performers use to provoke their audiences to change? What is the nature and potential extent of this change? ‘Provocative and Transformative Performance’ looks at the potential of performance to provoke attitudinal and behavioural change. Through a combination of theoretical and practical research, the project attempts to locate specific characteristics of performances that may be both provocative and transformative. Although previous research has interrogated the efficacy of performance, this project attempts to interrogate the nature of attitudinal and behavioural change through performance in a new way. The approach is triangulated, shifting perspective from performance maker to audience member to performance theorist. Bodily, a solo performance investigating body image issues, was created both as a response to this research and as a performative tool for generating research data. The Bodily data arises from a personal response to the performance and from focus groups conducted with audience members of the piece. The performance is integrated as a necessary part of this research, as it illuminates the process of a provocative performance maker. Alchemy permeates this thesis, weaving through the analysis as a metaphor for transformation. An alchemist undertakes the quest for philosophical gold through several complex processes. The alchemical moment of ‘projection’ is particularly significant; this is the climax, the final operation before gold is achieved. The thesis is written in a multi-vocal style, incorporating the analytical voice, the poetic alchemical metaphor, personal responses to performance and a performance development journal. The research project is a methodological and evaluative engagement with provocative and transformative performance, taking into account the intention of the performer, the instrumentation performers employ in order to provoke and transform their audiences, and the potential illumination of an issue for the audience through performance. Through this theoretical framework, the thesis aims to throw light on the ways in which performance can provoke transformation. / Doctor of Philosophy (PhD)
| Identifer | oai:union.ndltd.org:ADTP/204256 |
| Date | January 2007 |
| Creators | Needham, Tessa, University of Western Sydney, College of Arts, School of Communication Arts |
| Source Sets | Australiasian Digital Theses Program |
| Language | English |
| Detected Language | English |
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