Under the title 'Performative Architecture', this thesis draws on theories from performance studies and phenomenology in order to look beyond humanist practices that see the body as fixed and static. This thesis addresses two questions that I will be arguing are of increasing significance to contemporary architecture: Firstly, in the context of emerging digital and digitised spaces, how does the living body interact with the surrounding environment?; and secondly, what do these changing forms of human inhabitation and movement mean for the practice of architecture? The time frame spans from the work of Oskar Schlemmer in the 1920s to contemporary built works, examining the different ways that performativity has infiltrated architectural design. The case studies are divided into architectural performances that highlight the living body, and performative drawings that explore how to bring that body into the design process. In doing so a number of emerging paradigms become apparent that find built form in contemporary architectural examples. This approach is used to describe and analyse recent projects by Daniel Libeskind, Peter Eisenman, Diller and Scofidio and Lars Spuybroek, and to identify a common orientation through very different types of built environments. Acknowledging the change in both bodies and spaces in the Information Age, this research seeks to make room for the living body in the design of emerging, multidimensional, built environments.
| Identifer | oai:union.ndltd.org:ADTP/215585 |
| Date | January 2007 |
| Creators | Spurr, Sam, School of English, Media & Performance Arts, UNSW |
| Source Sets | Australiasian Digital Theses Program |
| Language | English |
| Detected Language | English |
| Rights | http://unsworks.unsw.edu.au/copyright, http://unsworks.unsw.edu.au/copyright |
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