This thesis is a selective history and critical analysis of collaborations and orthodox models of authorship in international art after 1960. Artistic collaboration in the late 1960s and during the 1970s occupied a special position: redefinitions of art and of artistic collaboration intersected. The thesis focuses on artistic collaborations that came to notice in the 1970s, locating them within the evolution of post-object art, conceptual art, installations, Earth Art, Art and Body Art. (For complete abstract open document)
| Identifer | oai:union.ndltd.org:ADTP/245181 |
| Creators | Green, Charles Douglas |
| Source Sets | Australiasian Digital Theses Program |
| Language | English |
| Detected Language | English |
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