Mary Shelley's gothic novel Frankenstein has traditionally been read by critics as a cautionary tale and social responsibility for their creations. However, like many of its gothic sisters, the novel also contains other substantial lodes which can be mined by the twentieth century literary critic.One largely ignored and potentially rich vein in the novel is the compulsive and self-destructive behavior of Dr. Frankenstein himself. No critic has yet borrowed Freud's black bag of psychoanalytical tools and used them to plumb the subterranean depths of the young scientist's labyrinthian unconscious.After the death of his mother, and despite his protestations to the contrary, Dr. Frankenstein's real desires are unconscious, the primary one being the need for closure of the family circle. These repressed desires are fulfilled by his alter ego, the homicidal monster he stitches together in an obsessive effort to reconcile life and death. The study seeks to reveal Dr. Frankenstein as an allegorical figure representing the dark side of man's nature.
| Identifer | oai:union.ndltd.org:BSU/oai:cardinalscholar.bsu.edu:handle/182599 |
| Date | January 1982 |
| Creators | Lipartito, Janice Dawson |
| Contributors | Thornburg, Thomas R. |
| Source Sets | Ball State University |
| Detected Language | English |
| Format | 54 leaves ; 28 cm. |
| Source | Virtual Press |
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