This thesis seeks to investigate Emilia Pardo Bazán’s two short stories “Las medias rojas” and “El encaje roto” and how her works correlate with the “new woman” based upon the ideology “The Laugh of Medusa” by Hélène Cixous. I look at the two female characters and prove how Pardo Bazán created the “new woman.” The thesis pursues to display how the author changes how female characters are presented in literature by placing independent, strong, and hopeful women within her works.
| Identifer | oai:union.ndltd.org:ETSU/oai:dc.etsu.edu:honors-1394 |
| Date | 01 May 2017 |
| Creators | Short, Olivia Dorothy |
| Publisher | Digital Commons @ East Tennessee State University |
| Source Sets | East Tennessee State University |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | Undergraduate Honors Theses |
| Rights | Copyright by the authors., http://creativecommons.org/licenses/by-nc-nd/3.0/ |
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