This thesis is a statement about a series of paintings based on an invented dollhouse object that conveys the artist’s identity and placement in the world. Through this essay, the artist represents the home as a space that fosters the recovery and rebirth of invisible energy, ki and examines ideas of transience, interconnection, and rebirth in the mysterious flow of ki in the home. Also the artist will explain her own view about being an artist, the methodologies and specific techniques of her paintings, and her artistic direction for the future.
| Identifer | oai:union.ndltd.org:GEORGIA/oai:digitalarchive.gsu.edu:art_design_theses-1123 |
| Date | 16 April 2012 |
| Creators | Chun, In Kyoung |
| Publisher | Digital Archive @ GSU |
| Source Sets | Georgia State University |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | Art and Design Theses |
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