Postwar North America saw a fundamental change in the function, layout, and location of the parents' bedroom and bathroom in the typical middle-class home. This thesis argues that the representations of bedrooms and bathrooms in house plans published by the Central Mortgage and Housing Corporation (CMHC), in bathroom advertisements which appeared in women's magazines, trade periodicals, and architectural journals, and, in the 1959 film Pillow Talk, point to women's increased power in the immediate postwar years and constitute a foreshadowing of the Women's Liberation Movement of the 1960s. By revisiting the domestic landscape of postwar North America, this thesis provides an account of women's changing role in postwar society and suggests that architecture played a part in this transformation.
Identifer | oai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:QMM.23699 |
Date | January 1996 |
Creators | James, Susan Helen |
Contributors | Adams, Annmarie (advisor) |
Publisher | McGill University |
Source Sets | Library and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada |
Language | English |
Detected Language | English |
Type | Electronic Thesis or Dissertation |
Format | application/pdf |
Coverage | Master of Architecture (School of Architecture.) |
Rights | All items in eScholarship@McGill are protected by copyright with all rights reserved unless otherwise indicated. |
Relation | alephsysno: 001503138, proquestno: MM11988, Theses scanned by UMI/ProQuest. |
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