This thesis examines and analyzes the controversy around white rapper Eminem to inspect the way in which black and white theories of belonging function within an American context. The assumption behind the racial dichotomy that defines whites and blacks in oppositional positive and negative terms presumes that identity is structured along race stereotypes. This belief is evident in the differing responses to Eminem's affiliation with hip-hop culture and through the extent in which he employs hip-hop cultural forms, styles, and traits into his rap image. Although a popular mainstream artist, Eminem (and his "thug" Slim Shady alter ego) maintains his credibility within hip-hop circles by using elements of parody, play, and persona to depict his satirical views of American life. Finally, the systematic attacks against Eminem that label him as deviant are rarely levelled against other black rappers, exposing the different societal expectations that exist for whites and blacks.
| Identifer | oai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:QMM.29502 |
| Date | January 2002 |
| Creators | Fernandes, Denise |
| Contributors | Straw, William (advisor) |
| Publisher | McGill University |
| Source Sets | Library and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada |
| Language | English |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Format | application/pdf |
| Coverage | Master of Arts (Department of Art History and Communication Studies.) |
| Rights | All items in eScholarship@McGill are protected by copyright with all rights reserved unless otherwise indicated. |
| Relation | alephsysno: 001956201, proquestno: MQ85853, Theses scanned by UMI/ProQuest. |
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