Although it is widely accepted that the diffusion of early reflections in acoustic spaces intended for music performance greatly improves the perceived quality of sound, current manufacturers of synthetic reverberation engines continue to model reflecting surfaces as having almost perfectly specular characteristics. This dissertation describes a hybrid method of simulating diffusion based on both physical and phenomenological modeling components. / In 1979, Manfred Schroeder described a method of designing and constructing diffusing surfaces based on a rather simple mathematical algorithm which provides diffused reflections in predictable frequency bands. This structural device, now known as a "Schroeder diffuser," has become a standard geometry used in constructing diffusive surfaces for spaces intended for music rehearsal, recording and performance. While it is possible to use DSP to model the characteristics of reflections off such a surface, a reflection model based exclusively on a surface constructed of a Schroeder diffuser has proven in informal tests to be as aesthetically inadequate as a perfectly specular model. Control of both the spatial and temporal envelopes of the diffusive reflection are required by an end user in order to tailor the reflection characteristics to the desired impression. / In 1974 an empirical model for computing light reflections off objects in a three-dimensional environment was developed by Phong Bui-Toung. This algorithm incorporated both a specular and diffuse component with relationships controlled by an end user. / This dissertation describes the adaptation and implementation of the Phong shading algorithm in conjunction with a physical model of components of the Schroeder diffuser for the modeling of diffuse reflections in synthetic acoustic environments. The inclusion of the Phong algorithm provides precise control over the balance between the spectral and diffusive components of the reflection. In addition, directivity functions for sound sources and receivers in the virtual space are described. / Analysis and evaluation of the model using mathematical and empirical methodologies are discussed and stereo and multichannel audio examples produced by the system are included.
| Identifer | oai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:QMM.37774 |
| Date | January 2001 |
| Creators | Martin, Geoffrey Glen. |
| Contributors | Woszczyk, Wieslaw (advisor), Depalle, Philippe (advisor) |
| Publisher | McGill University |
| Source Sets | Library and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada |
| Language | English |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Format | application/pdf |
| Coverage | Doctor of Philosophy (Faculty of Music.) |
| Rights | All items in eScholarship@McGill are protected by copyright with all rights reserved unless otherwise indicated. |
| Relation | alephsysno: 001810995, proquestno: NQ70091, Theses scanned by UMI/ProQuest. |
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