Transcendence and transformation have been established as key motifs in apocalypses. The transformation of a seer during a heavenly journey is found commonly in such esoteric apocalypses as I Enoch. No heavenly journey occurs in the works treated here. Rather, symbolic women figures--"ladies" in the classical sense--who are associated with God's City or tower, undergo transformation at key points in the action. The surface structures of Joseph and Aseneth, 4 Ezra, the Apocalypse and The Shepherd of Hermas are traced, and the crucial transformation episode or episodes are located within each structure. Transformation of figures representing God's people suggests the significance of identity within the apocalyptic perspective. Apocalypses allow the world to be viewed from the future or from the heavens (J. J. Collins' "temporal" and "spatial" axes); the genre also invites the reader to change identity (the "identical" axis), and so become someone in tune with divine mystery and revelation.
| Identifer | oai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:QMM.74654 |
| Date | January 1991 |
| Creators | Humphrey, Edith McEwan |
| Publisher | McGill University |
| Source Sets | Library and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada |
| Language | English |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Format | application/pdf |
| Coverage | Doctor of Philosophy (Faculty of Religious Studies.) |
| Rights | All items in eScholarship@McGill are protected by copyright with all rights reserved unless otherwise indicated. |
| Relation | alephsysno: 001242314, proquestno: AAINN67760, Theses scanned by UMI/ProQuest. |
Page generated in 0.0063 seconds