Common filmic tropes of the ocean draw upon ideas that go back to the novels of Herman Melville and Jules Verne, who constructed the ocean respectively as a hostile wilderness and a watery Eden. Two of the earliest and most influential underwater filmmakers, Jacques Cousteau and Jean Painleve, employed these tropes, as have subsequent filmmakers, especially in their depictions of charismatic ocean fauna. The power of the Eden/wilderness dichotomy of the ocean has spilled over not only from novel to film and from fiction to non-fiction, but into the socio-political sphere of ocean-related controversies like the one that is the subject of my film, Sealed Off!!!
| Identifer | oai:union.ndltd.org:MONTSTATE/http://etd.lib.montana.edu/etd/2008/kennerson/KennersonE1208.pdf |
| Date | 15 December 2008 |
| Creators | Kennerson, Elliott Doran |
| Source Sets | Montana State University |
| Language | English |
| Detected Language | English |
| Type | Thesis |
| Source | Montana State University |
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