Though delicating himself to piano solo music writings, Frederic Chopin did compose the piano trio op.8 around 1828-29. According to the literature discussion, Chopin visit Austria few times and gain quite a few new ideas and experiences in music during 1820¡¦s. This brought him boundless inspiration and excitement on music creating. Because of these influences, he attempted to compose some chamber music and piano concertos. At the same time, Chopin followed his professor Joseph Elsner to study 18th century theory. The piano trio op.8 was created under this situation. Many scholars¡¦ point out Chopin¡¦s compositions of this time was overtaken by whatever he was taught. Though piano trio op.8, Chopin shows a great deal of Romantic spirit and personal idea in this music.
This paper includes five parts. First, the development of piano trio before 1830¡¦s is explored. The second part focuses on chamber works of Chopin. The third part includes the early musical style of Chopin and the historical background of the piano trio op.8. The fourth part epitomizes the functions of theme and motive in piano trio op.8. The fifth part includes the interaction among three instruments and the tempo rubato for practical performances. Finally, a conclusion will be made.
| Identifer | oai:union.ndltd.org:NSYSU/oai:NSYSU:etd-0726104-142226 |
| Date | 26 July 2004 |
| Creators | Yang, Ni-Jung |
| Contributors | Yea-shiuh Lin, Kwang-I Ying, Mei-wen Lee |
| Publisher | NSYSU |
| Source Sets | NSYSU Electronic Thesis and Dissertation Archive |
| Language | Cholon |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0726104-142226 |
| Rights | withheld, Copyright information available at source archive |
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