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ÉGWÚ ÀMÀLÀ: WOMEN IN TRADITIONAL PERFORMING ARTS IN OGBARULAND

Within the complex dynamics of gender relationships and roles among African peoples, women often exercise power through song and dance. Such is the case among the women of Ogbaruland in southern Nigeria who, in their performance of the dance drama Égwú Àmàlà , act as custodians of knowledge and tradition and as transmitters of culture.
Apart from being a repository of information about artistic traditions, the genre also documents and enacts the history and culture of the Ogbaru people. Égwú Àmàlà, which is the subject of my dissertation, is the most popular of all Ogbaru women dance genres. The term Égwú Àmàlà  literally means "paddle dance" or "paddle drama," but it is often referred to as the "mermaid dance" or égwú mmili, that is, "water dance" because of its ritualistic associations with Onye-mmili, the water divinity. This genre is predominantly performed by women of all ages, with men playing secondary roles such as òpì(gourd horn) player and paddlers of canoes when the genre is performed in the river setting.
My study of Égwú Àmàlà  will add to a small but growing body of literature demonstrating how gender, a locus classicus for debates in contemporary scholarship, relates to other domains of culture such as musical performance, and how gender constructions can be articulated as well as negotiated in the genre and through the performing arts in general. Since the origin and performance of Égwú Àmàlà revolves around rituals and water, this dissertation also discusses the religious dimensions of the genre, stressing the importance of water to the dance, to the Ogbaru people and to African traditional religion as well. Considering the fact that women have for decades preserved Égwú Àmàlà, which epitomizes the culture and traditions of the Ogbaru people, the present investigation represents a significant contribution to ethnomusicological, gender, and cultural studies.

Identiferoai:union.ndltd.org:PITT/oai:PITTETD:etd-04212008-142732
Date16 June 2008
CreatorsOzah, Marie Agatha
ContributorsDr. Olatunji Akin Euba, PhD, Dr. Kofi V. Agawu, PhD, Dr. Leonard Plotnicov, PhD, Dr. Mary S. Lewis, PhD, Dr. Nathan T. Davis, PhD
PublisherUniversity of Pittsburgh
Source SetsUniversity of Pittsburgh
LanguageEnglish
Detected LanguageEnglish
Typetext
Formatapplication/pdf
Sourcehttp://etd.library.pitt.edu/ETD/available/etd-04212008-142732/
Rightsrestricted, I hereby certify that, if appropriate, I have obtained and attached hereto a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to University of Pittsburgh or its agents the non-exclusive license to archive and make accessible, under the conditions specified below, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report.

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