An exploration of the emotional intertwining of character and architecture in two horror films of the 1960s, The Haunting (Robert Wise, 1964) and Repulsion (Roman Polanski, 1965). In these films we find fully rendered illustrations of architecture that include the non-visible element of emotion that is essential in the becoming of architecture and place.
| Identifer | oai:union.ndltd.org:RICE/oai:scholarship.rice.edu:1911/17925 |
| Date | January 2006 |
| Creators | Triggs, Riley Grant |
| Contributors | Last, Nana |
| Source Sets | Rice University |
| Language | English |
| Detected Language | English |
| Type | Thesis, Text |
| Format | 72 p., application/pdf |
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