碩士 / 中國文化大學 / 藝術研究所 / 88 / <<Mountain and Sea Logical Planning>> --
Natural Form and Painting Space
School and department attribute: fine art section, graduate school of art, Chinese Culture University
Instruction professor: Dr. Hsu Kun-Cheng
Dr. Wong Mei-Ou
Graduate student: Wang Shu-Man
Date: June 2000
Abstract of Thesis
I. Research Motivation:
By means of review of natural form and painting space in traditional and modern creative concepts, the content and essence are therefore explored, to set up the independent painting belonging to personal spirit and painting plane essence more clearly, and concentrate on self creative concept. The arrangement of painting history and painting theory can attain academic foundation. Through series of creation in continued practice, one may, by passing through the painting history tunnel, find out a direction appealing to one’s own expression.
II. Data Resource:
The natural concept in Chinese and occidental paintings is the major exploration foundation, then aided with the theories of modern painting creators and scholars, to serve as reference and verification. Besides, the oral statement and hand-out of professors in class also serve as the source of major information in the thesis.
III. Research Content and Conclusion:
In view of the unlimited possibility of modern art development, yet actual experience of the Nature and observation of the Nature are still important factors to produce profound and realistic output in creating, therefore, the creation of modern art realizes thinking in leading creation, formality in origin from thinking, both are complimentary. Therefore, the Research abandons deliberate pursuit in creation form. There are many journals in discussing the relativity between Nature and painting and essence all over the world since ancient time till present time. Systematic analysis and exploration are provided hereby, to serve as the focus of this thesis, as shown in the Table of Content:
Chapter 1 General Introduction
Research motivation, scope and objective are described first.
Chapter 2 Connection between Nature and Painting
The connection between the Nature and painting, and real significance and value of the Nature are described, to serve as the basic concept of the Thesis.
Chapter 3 Natural Form and Painting Space
From traditional painting and creation form, the evolution process of the connection between natural form and realistic space of painting is understood. Among which, ___ is the key point in analysis, to explore his concept of the Nature and expression form, integrating into his own creation.
Chapter 4 Study on Painting Space and Creative Concept
It is dual concern of modern though and self realization, to explore the connection between modern painting concept and the Nature; meanwhile, it attempts to think the inner feeling of someone in facing his time and environment. It is the so called “inner feeling (or perception) to be expressed through form (i.e., technique)”, through “origin from the Nature” and exploration of painting space, the inner reality and external expression form are therefore further connected.
Chapter 5 Review on Creation and Anticipation
The pursuit of reality is the truth remaining unchanged. No matter in whichever age of wherever in the world, the Nature is the main source of art in production. On the other hand, human inner reality can, through of facing the natural truth and 2-dimensional picture reality, be compared in sincerity. At this time, the Nature and painting are also perfectly combined through human creation.
| Identifer | oai:union.ndltd.org:TW/088PCCU0546025 |
| Date | January 2000 |
| Creators | Wang Shu-Man, 王淑滿 |
| Contributors | Hsu Kun-Cheng, Wong Mei-Ou, 許坤成, 翁美娥 |
| Source Sets | National Digital Library of Theses and Dissertations in Taiwan |
| Language | zh-TW |
| Detected Language | English |
| Type | 學位論文 ; thesis |
| Format | 94 |
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