碩士 / 國立臺灣師範大學 / 設計研究所 / 90 / People had learnt how to piece up an entirely different object from various elements since the ancient period; therefore, the appliqué history could be much longer than our imagination. Owing to the artists or designers are often applying the collage craft onto their works nowadays, the collage has been shaped into an artistic performance that have been widely known and accepted by masses.
The purpose of this research is: by means of the documents to retrace the collage history and study the structure correlation between the mentality of graphic perception and the plane advertisement, collecting the related graphic poster of collage to sort out and sum up as a reference for creation and education, and applying the induced research to the individual creation to balance the development of theory and creation. To generalize this research, we obtained following three conclusions.
1. The key point of the documents review is basically on the collage shaped background and the perceptions of appliqué definition and history. Moreover, to probe into the varied correlation about the modern Bauhaus education and the collage, and to study the collage designed style that is how to affect the post-war America in designed development as well as the correlation between the pop art and the technique of collage.
2. Collecting all kind of collage works and dividing roughly into three major parts that identified as the word collage, the graphic collage and the composite collage. Reclassifying the three major parts into six individual sections read as;
1)Illustration of the Word. 2) collage of the Word Substance.
3)Assembly collage. 4)Dismantling for Re- collage.
5)Imaginary collage. 6)Comprehensive collage.
Again, use the plane-designed works to illustrate the six styles of collage works, and incorporate the masterpiece to comment on its formation and implication.
3. Works formation mainly use the collage plane-vision to express the pieces, selecting the image from daily life that printed on newspaper or magazine as an object, and utilizing the characteristic by visual design to reflect the social forms and living attitude. The creative topic is taking the authorial daily life as a raw material that merges in the specific image of the Chinese culture and blends with the lavish colors and images. By means of works to release the telepathic impressions, it prospects to reflect the original implication of the collage --- Response to Life and Pressing Close to Masses--- and integrate the designed works into the author’s.
| Identifer | oai:union.ndltd.org:TW/090NTNU0619005 |
| Date | January 2002 |
| Creators | Liu Hsin-Ying, 劉欣盈 |
| Contributors | Kang Tai-Sheng, 康台生 |
| Source Sets | National Digital Library of Theses and Dissertations in Taiwan |
| Language | zh-TW |
| Detected Language | English |
| Type | 學位論文 ; thesis |
| Format | 78 |
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