碩士 / 東海大學 / 美術學系 / 90 / ABSTRACT
“Boats” have been a symbol of literators’ reclusion in Chinese painting; however, after the change of space and time, this aesthetic, being too far for us, can no longer touch the right chord. Growing in Taiwan, a seagirt place, my cultural imagery of boats is from the experiences of the contemporary social ideology and its art forms and content, which is conformable to the contemporary social life experiences. Therefore, my interpretation of boats involves different cultural aspects. Through the conventional images and symbols, and by collaging and building， we try to express different images of “boats” from the traditional ones. And this is my pursuit of invention.
Chapter 1 of this dissertation is mainly about the major art forms of my drawing invention, boats. The discussion starts from the functional roles of boats in traditional Chinese brushworks. The emphasis is on the representation of boats of cultural concepts in Chinese painting- literators’ reclusion, and further to folk activities and life imagery concerning boats in Taiwan culture, and then distinguish different expressions of boats between traditional and Taiwan culture backgrounds, which is to clarify my inventions connotation.
In Chapter 2, the dissertation is about the aesthetic questions of works, including transference of painting objects and the association and imagination formed from the images, the results of the conventionally cultural ideas. Moreover, the transformation of images comprises more intuitional imagery, and then we analyze the structure of Chinese painting imagery. This is to analyze the aesthetic issues we involve in the works.
In Chapter 3, it analyzes the characteristics of demarcation in Chinese painting and the evolution of her history. This is to see more clearly the gradation of self-inventions in order for further developing.
In Chapter 4, we analyze the forms and characteristics of self-works. The works include three periods, former, middle and later. The analysis is from different angles include material, skills, composition, color, space and so forth and indicates the clarification of the invention ideas. Finally, we make a conclusion of the intercommunity and developing intention of all works.
In the conclusion, we advert personal invention ideas according to the current invention fashion and the environment of brushworks and also consider about the direction of invention for the future.
| Identifer | oai:union.ndltd.org:TW/090THU00233004 |
| Date | January 2002 |
| Creators | 林筆藝 |
| Contributors | 李惠正 |
| Source Sets | National Digital Library of Theses and Dissertations in Taiwan |
| Language | zh-TW |
| Detected Language | English |
| Type | 學位論文 ; thesis |
| Format | 77 |
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