Comparative Analysis of Museum and Cinema Narrative:The case study between “Sino-French War and Taiwan” exhibitionpresented at the National Taiwan Museum, and “Master and Commander: The Far Side of the World”, Directed by Peter Weir / 博物館展示與電影之敘事比較:以「西仔反-清法戰爭與台灣」特展與「怒海爭鋒-極地征伐」為例

碩士 / 臺南藝術學院 / 博物館學研究所 / 92 / Museum displays are designed with the goal to achieve effective communication and provide a learning experience on a specific subject. If the fundamental attitude of display design can incorporate and consider the various elements of storytelling narrative, this can positively affect and bridge the distance between the exhibitions with its intended audience. Films, by its essential definition, are not the same as museum displays. However, the medium of film also exhibits the physical differentiations, narrative qualities and limitations through its screen dimensions within the real-world spatiality. This research paper aims to investigate and make a comparative analysis of the styles and characteristics between these two divergent forms of narrative foundations in the hopes of arriving at the median of between the fundamental spectatorships for museum displays and films.
This research paper involves the examination of two individual sets of proposed questions. The first concerns with the rethinking of the modes of museum displays and film narratives respectively. The latter considers the possibility of aesthetic transition and exploration of their narrative forms. Aside from analyzing and providing related references to in order to understand the communicative and comprehensive qualities of narrative, as well as providing the narrative prototypes of museum displays and films, I also further analyze museum displays and film screening examples to articulate the inherent limitations and characteristics of museum displays in its narrative mode. This research project proposes the possibility of applying the aesthetic narrative strategies utilized in film in the design of a museum display. By incorporating methods such as utilizing scripts in the design of a museum displays, as well as the careful consideration of spatial and methods of display design, a more imaginative realization and dynamic experience could be possible.

Identiferoai:union.ndltd.org:TW/092TNCA0581014
Date January 2004
Creators吳語心
Contributors葉貴玉
Source SetsNational Digital Library of Theses and Dissertations in Taiwan
Languagezh-TW
Detected LanguageEnglish
Type學位論文 ; thesis
Format140

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