碩士 / 國立臺灣師範大學 / 設計研究所 / 96 / In the end of 19th century, people no longer believed in realism; instead, people start to pursue their spiritual feeling. The decadent therefore became the product under this turbulent society. In the 1910s of Japan, literary creation trended to be decadent and aesthetic due to the impact of western literature. After that, Kanto Earthquake stimulating the occurrence of new sensation school. Since then decadent aestheticism and new sensation school together brought unusual impacts towards China, and Creation society, established in the May Fourth, was the most representative club influenced by the decadent; besides Shanghai new sensation school was also founded in the 1930s of China, fully performed the intrinsic thoughts of the decadent. There were many topics of cross gender and sexuality and feminism can be read retrospectively in the contemporary Taiwanese novel as a derivative of the decadent.
The decadence literature is an idea that keeps on creating and criticizing the pass, and can be defined as an emotional expression of suppressed people, enriching of modernity and unique style; it also reminds people to introspect themselves and make this society better by reflecting the reality of lives especially in this canting world. This research takes poster design as a medium to visualize the decadence literature, spreading the central spirit of this kind of literature by image.
This research integrated the decadence literature from different ages, analyzing their characteristics and philosophic thoughts. Moreover, these characteristics were further used as creating ideas, associating with the topics of posters; the idea-image combination was formed as the final piece.
In this experiment of the decadence literature visualizing, the author tried to construct the atmosphere of decadence literatures by using the poster compositions. The images just like the vocabularies of the literature. The appropriate signifier can express the signified deeply with the enormous influence. Therefore, the affect of visualized designs that can make the viewer feel painful and resonated are equal to the decadence literature.
| Identifer | oai:union.ndltd.org:TW/096NTNU5619026 |
| Date | January 2008 |
| Creators | 蔡孟倩 |
| Contributors | 梁桂嘉 |
| Source Sets | National Digital Library of Theses and Dissertations in Taiwan |
| Language | zh-TW |
| Detected Language | English |
| Type | 學位論文 ; thesis |
| Format | 98 |
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