碩士 / 國立臺北大學 / 民俗藝術研究所 / 96 / There was a kind of folk ballad activity prevailed in Taiwan. This activity is composed of two people making up the lyric provisionally and singing to the member without any musical instruments. The other member compiles out the lyric and reacts to sing over again from the purpose of the word. In this way, people sing with each other by making up the lyric provisionally in order to rewarding each other. This folk custom is called “Taiwanese ballads sang in dialogue” in Taiwan .
Twenty years ago, this kind of ballad activity which was named as “Taiwanese ballads sang in dialogue” was still popular in the countryside of Yilan county where has prevailed Taiwan Opera before. This thesis is aimed at the “Taiwanese ballads sang in dialogue” activity in the countryside of Yilan county. According to carrying on field interview, exploring this culture in Yilan county to analyze the reason of Taiwan opera activity being prevailed in the early period in Yilan, even to find the source of Taiwan opera in the field.
In chapter 1, is to interpret this thesis adopted field interview for the main research approach . And the target of interview includes of two types：1, people who grow in Yilan and participate in the “Taiwanese ballads sang in dialogue” activity when being young still alive now.2, old people who witness “Taiwanese ballads sang in dialogue” activity when being young, or know the “Taiwanese ballads sang in dialogue” activity’s history. The regional range of field interview includes ：Jiaosi Township ,Yuanshan Township and Dongshan Township. The main content of interview is that how the “Taiwanese ballads sang in dialogue” activity being started in various kinds of appearances among these townships.
In chapter 2, is to make detailed description about how the “Taiwanese ballads sang in dialogue” activity being started around the tea fields, the sugarcane fields, mountain areas, mountainsides. In chapter 3,is to describe the members who participating in “Taiwanese ballads sang in dialogue” activity when being young, or the environment where they live and work .And to analyze environmental factors that the “Taiwanese ballads sang in dialogue” activity can be prevailed. In chapter 4, is to interpret the documents and materials of the early Taiwan opera activity in Yilan. And to contrast with chapter 2 to chapter 3, analyzing the common environments and culture factors between Taiwan opera and the “Taiwanese ballads sang in dialogue” activity can be prevailed in Yilan.
In conclusion, Taiwan opera and the “Taiwanese ballads sang in dialogue” activity were started during Japanese colonial rule. Because there are many such working opportunities such as tea making, sugar refining, mountain working ,etc., the young people can often go out to work and have more chances to exchange ballads with the young people in the other villages. Around this environment, the “Taiwanese ballads sang in dialogue” activity has started to prevailed. To compare with Taiwan opera activity, the “Taiwanese ballads sang in dialogue” activity is less limited in the country .It can bring up a lot of folk people in Yilan who use the form of the role-playing, making up the lyrics, and launching the “Taiwanese ballads sang in dialogue” activity with people. This consummate artistic accomplishment is also a origin cause of formatting early Taiwan opera art in Taiwan can be produced.
| Identifer | oai:union.ndltd.org:TW/096NTPU0548009 |
| Date | January 2008 |
| Creators | YU , KUAN-CHUN, 游冠軍 |
| Contributors | 林鋒雄 |
| Source Sets | National Digital Library of Theses and Dissertations in Taiwan |
| Language | zh-TW |
| Detected Language | English |
| Type | 學位論文 ; thesis |
| Format | 141 |
Page generated in 0.0136 seconds