碩士 / 國立臺中技術學院 / 商業設計研究所 / 96 / The fundamental meaning of the modern scientific development process nearly collaborates with philosophy, through the development of quantum mechanics, and people’s opinions towards material structures and their reciprocation have been changed revolutionarily. It points out that objective matters would not exist anymore, observer’s thought would influence the experimental result, the two parties combine together and resonate each other. The existence state of material has close relationship with observation; human’s intelligence determines the existence form of material, mind and matter bind together integrally. The impact of quantum mechanics’ viewpoints and the change of essence also begin to produce significant influence towards each field of philosophic discussion. The essence of quantum viewpoints has something in common with the aesthetic philosophic theory that visual design pursues, thus it is meaningful and worth to discuss this further. Design is the embodiment of people’s environment, culture, and thought of their life; the change of understanding towards the essence of the world will inevitably influence the technique and form of expression. When design encounters the themes of viewpoints and reality, religion’s visual symbol is one of the elements that are often used. For the spark that is produced when design encounters scientific thinking, hoping that it can produce new creative idea during the creative research, and then new visual symbol and performance form can be produced.
This creative research regards the spirit of “quantum viewpoints” to carry out the expression of poster creation. The innovation of visual symbols and the results that are obtained from four study analyses, which are symbolized meaning, structure expression, shape form, and use of color, are used and served as the design criteria, and then the creation of visual design is carried out and theme individual exhibition is held so as to serve as the achievement publication of this creative research. The interaction with observers is used to carry out the assessment of this creative research. This creative research has carried out two individual exhibitions in total, which are “Poster creative individual exhibition without ignorance” and “Poster creative individual exhibition of the conversation between Buddha and Quantum”. Moreover, four study results have been reached: 1. Defining quantum viewpoints. 2. New viewpoints that are produced by the mutual agitation between quantum viewpoints and design training. 3. Looking for new visual symbols and forms of expression. 4. Presenting visual innovation on poster creation concretely. And also, three study findings have obtained: 1.The four influences of Zen towards design, which are a. Originates the theme idea of inborn consciousness and passes the realization that is observed by the creator. b. Besides the aesthetic feeling of picture expression, promoting the level of soul beauty is even more important. c. Creative forms such as real but abstract, the pen leaves in, and thinks first. d. Not limited to the inflexible impression of calligraphies and Chinese ink, even geometry or concrete objects can still show the beauty of Zen. 2. The simpler shape has the more eternal quality. 3. Quantum viewpoints and aesthetic-philosophic theory have “resonating” compatibility on the spiritual level. The breakthrough of creative design is divided into viewpoints and visual expression: 1. Evolution of quantum viewpoint’s cognitive essence. 2. Innovation of visual symbol system and design technique. Last but not least, the experience achievement and findings of this creative research are used to write this discussion so as to serve as reference for the creative researchers in the future.
| Identifer | oai:union.ndltd.org:TW/096NTTI0317003 |
| Date | January 2008 |
| Creators | Hu,Yu Shien, 胡毓賢 |
| Contributors | Yao,Tsun Hsiung, Lee,Shin Fu, 姚村雄, 李新富 |
| Source Sets | National Digital Library of Theses and Dissertations in Taiwan |
| Language | zh-TW |
| Detected Language | English |
| Type | 學位論文 ; thesis |
| Format | 197 |
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