碩士 / 銘傳大學 / 建築與都市防災研究所 / 97 / Due to the rapid development of Shanghai cultural creative industry after the millennium and the distinctive land property rights system and government regime in Mainland China, this research, based on Shanghai’s filed studies, tries to explain how old, deserted communities and industrial factories transferred into cultural creative industries with developed processes and organized operations since 1990. It also explores how the reformation of the governance and regime makes the government and enterprises promote their cooperation and their partnership and then benefit the spatial planning. As for the research methods, this research finds the main blueprint and basis in the cultural creative industry by collecting data and field studies, making interviews with scholars, and researching on three individual distinct cultural industry cases - Tianzifang Community, M50, and Millfun. From investigating on the spaces conversion and the key agents to clarify the formation of cultural creative and the role the government plays in this space conversion, it shows the main conditions and impetus strategies to understand the key factor and space conversion. Furthermore, the regime of Mainland China after its reformation, induced the power of grassroots on forming the Shanghai cultural creative industry, makes it balanced among the residents, factory owners, the government and estate developers. In other words, the main idea of this research is to find the formation mechanism of the cultural creative industry and conclude into (1) construction of the organization (2) fund input (3) rules of space users (4) support from the local government (5) market actors.
| Identifer | oai:union.ndltd.org:TW/097MCU05224009 |
| Date | January 2009 |
| Creators | Chien-Tzu Tung, 童千慈 |
| Contributors | Chi-Tung Hung, 洪啟東 |
| Source Sets | National Digital Library of Theses and Dissertations in Taiwan |
| Language | zh-TW |
| Detected Language | English |
| Type | 學位論文 ; thesis |
| Format | 126 |
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