碩士 / 國立臺灣師範大學 / 設計研究所在職進修碩士班 / 97 / The arrival of digital era has completely changed the way people live, think, and interact with each other; it also materialized in such a rapid fashion that the world has never seen before. Consequently, brand new forms have been brought to the process of creation in art. In the digitalized world, a vast array of computer tools are for artists to create numerous forms of art digitally, allowing a more widespread appreciation of higher-quality artistic creations. Meanwhile, the popularization of digital photography has not only made it a universal hobby among people, this also allows easier access of image creation to be experienced by people. As for media of art utilizing visual expression, the aforementioned phenomenon turns out to be a revolution unforeseen. All in all, digitalized forms of art differ most significantly from traditional forms of art by the application of computerized techniques. However, the essence of creation does not differ, even though all kinds of art could technically be expressed in digitalized forms.
Image Processing is currently the most rapid, powerful method of visual communication design. The progress of technology has reformed most aspects of design. Therefore, as a designer, one has to recognize and be adaptable to the latest computer technology, so as to induce the freshness into works of design for the viewers to experience.
The motivation of this essay is to research the essence of image, through analyzing related documents of how the essence of image is utilized in the field of visual communication design. And at the same time, the essay also involves in discussions of the evolution, and the features of digital media. Moreover, the author intends to apply fundamental techniques of digital photography and image processing, from a visual expression design point of view, to design a series of posters of visualized image of music based on the works of the French composer, Claude Debussy's “ Préludes”. The essay serves as the result of researching on the theoretical side, and on the other hand, the design of posters represents the work of proof on the practical side.
Last but not least, the author is in the hope that this presentation of research would lay the foundation for efforts of future study on design. Due to limited time frame, many ideas and thoughts were left aside without being further researched and developed. The author wishes to fulfill that, for a more thorough complement of this research in the future.
Key words: Digital Art, Digital Image, Digital Photography
| Identifer | oai:union.ndltd.org:TW/097NTNU5619033 |
| Date | January 2009 |
| Creators | 陳韻如 |
| Contributors | 康台生 |
| Source Sets | National Digital Library of Theses and Dissertations in Taiwan |
| Language | zh-TW |
| Detected Language | English |
| Type | 學位論文 ; thesis |
| Format | 93 |
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