碩士 / 東吳大學 / 音樂學系 / 98 / Haydn’s piano sonata play an important role in the development of keyboard works, is also one of the most representative form in his works. In 1775, Haydn wrote keyboard sonata for the first time and finished the last three sonata in 1796. From his music texture and harmony with thin to heavy, we can see the obvious relationship between the development of piano to Haydn’s composition. In 1791, Haydn’s London journeys have a deep influence to his composition, particularly in the second journey he contacts the Piano and fascinated by it, the piano sonata Hob.XVI：50 is the wok of this period. Haydn used the variation’s technique at this sonata: at the first movement he uses the single subject with different tunes and figures; at the second movement the single subject enriched by gorgeous trills; at the third movement the subject vary from the motive. In this thesis I discuss the time of the classical period, the musician’s composition environment, and the development of the sonata form, Finally I attempt to find out the most appropriate interpretation performance for this work.
| Identifer | oai:union.ndltd.org:TW/098SCU05248018 |
| Date | January 2009 |
| Creators | Ying-hui Lee, 李盈慧 |
| Contributors | none, none, 王潤婷, 王青雲 |
| Source Sets | National Digital Library of Theses and Dissertations in Taiwan |
| Language | zh-TW |
| Detected Language | English |
| Type | 學位論文 ; thesis |
| Format | 59 |
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