博士 / 國立中央大學 / 中國文學研究所 / 99 / This thesis is named "The Research of the Drama Scripts and Theories by Li Yu" discussing mainly through "The Occasional Notes with Leisure Motions" （《閒情偶寄》）and "The Ten Plays of Li Yu"（《笠翁傳奇十種》）.The author tries to systematize as completely as possible the theories of Li Yu into to the following five topics:
1. Sorting the recent 400- year studies about the compositions of Li Yu.
2. Surveying Li Yu''s creations of manuscripts and the beginning of his theories.
3. Studying Li Yu’s practices to directors, actors, theater and theoretical establishment.
4. Points of view of Li Yu toward readers, audiences and comments.
5. The whole concept and theoretical system of Li Yu and the establishment of his manuscript of creations and theater practices.
"The Occasional Notes with Leisure Motions" created the practice with theater to the manuscript which opened the whole sex treatise of the Chinese classic drama theories. This dissertation aims at the following seven levels of facts: play author, manuscript, creation of director, creation of actor, , reader, reviewer and comments on the performance of theater. These mentioned seven points reveals the true level to the drama carrying on the research respectively. To show the analysis towards Li Yu’s creations, the author composes a collection of atlases for the script and play systems. The five segments of drama creations-script, director, performer, audience, critics, work comprehensively in a systematic way regarding the reality in drama creations. As a matter of fact, Li Yu was a pioneer in the field of Chinese drama.
| Identifer | oai:union.ndltd.org:TW/099NCU05045002 |
| Date | January 2011 |
| Creators | Chia-pin Chen, 陳佳彬 |
| Contributors | Wei-zhu Hong, 洪惟助 |
| Source Sets | National Digital Library of Theses and Dissertations in Taiwan |
| Language | zh-TW |
| Detected Language | English |
| Type | 學位論文 ; thesis |
| Format | 360 |
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