碩士 / 國立高雄師範大學 / 視覺設計學系 / 99 / The invention of Chinese characters is a great achievement and a representative of ancient Chinese’s wisdom. After thousands of years of development, Chinese characters transform from pictographs into mature signs with combination of forms, pronunciations and meanings. As technology rapidly grows, the improvement of writing tools makes us hardly write something today. Without the experience, the beauty of Chinese characters is gradually ignored. Therefore, as a design learner and a user of Chinese characters, the researcher attempts to rethink and recover the relationship of characters and images in graphic design. In this thesis, the researcher tries to understand the history of Chinese characters through literature review, and compares different viewpoints of “combining images and characters” from traditional folk art and modern design. Based on these studies as well as the theories of semiology, the researcher then takes Chinese fonts as elements to design posters for Taiwan folk festivals and combines images and Chinese characters through the process. By doing so, the researcher hopes to create posters with coincidence between images and characters to remind readers to see the beauty of Chinese characters once again.
| Identifer | oai:union.ndltd.org:TW/099NKNU5634025 |
| Date | January 2011 |
| Creators | Xun-Yi Lin, 林訓毅 |
| Contributors | Jen-Ping Wu, Li-Ming Chen, 吳仁評, 陳立民 |
| Source Sets | National Digital Library of Theses and Dissertations in Taiwan |
| Language | zh-TW |
| Detected Language | English |
| Type | 學位論文 ; thesis |
| Format | 127 |
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