碩士 / 國立臺中教育大學 / 美術學系碩士班 / 99 / It’s been more than 60 years since 1945 in Taiwan and since 1949 in Mainland China till today.Due to the rapid changes of social structures,the developments in new photographic equipments and gadgets have kept growing as well as the popularity of the digital carriers. This has also dramatically changed the ways how documentary photographers convey and present their ideas in terms of contents, topics and innovation of their works.
This study will analyze the works of documentary photographers both in Taiwan and in Mainland China between 1945 and 2010, who were most influential based on their works. They were analyzed and compared based on their issues、motivation、forms and skills. Finally, it will be discussed the differences between Taiwan and Mainland China documentary photographers’ works which had the influence of the idea liberates,and the documentary photographers’works develop quickly.The issues were multidimensional.We compared them by five classifications, the political propagandized, the historical time record, the systems life record, the local custom and tradition, and the humanity concerned. The skills combined the photographer’s motuvation and the technological progress, present a new style of documentary photography.
| Identifer | oai:union.ndltd.org:TW/099NTCTC236051 |
| Date | January 2011 |
| Creators | Chuang,Wanlin, 莊琬琳 |
| Contributors | Huang,Chia-sen, 黃嘉勝 |
| Source Sets | National Digital Library of Theses and Dissertations in Taiwan |
| Language | zh-TW |
| Detected Language | English |
| Type | 學位論文 ; thesis |
| Format | 236 |
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