碩士 / 國立臺中教育大學 / 音樂學系碩士班 / 100 / The piece was composed by the great classical composer, Franz Joseph Haydn, in 1769. It was the last concerto created by Franz Joseph Haydn in his old age. The music was produced since the palace trumpeter, Anton Weiding, devised a kind of keyed trumpet which could be played complete Chromatic scale. In this moment, it was the peak period for Franz Joseph Haydn, therefore the music was integrated with Haydn’s mature techniques. Therefore, in terms of music form, tone harmony or the motivation and the use of the subject, are called the classical music of the most classic. In addition, Haydn also placed a lot of highlighting key characteristics of the trumpet-style syntax and techniques in which, through such as chromatic scale, appoggiatura and trill techniques such as motivation to show the different characteristics from traditional trumpet.
Through my longitudinal study of the historical background and music form of the horizontal analysis, and then comparing with different version, I proposed analysis and discussion for the performance and interpretation of the style characteristics and skill challenges of the music. Owning to the trumpet song in music history or the history of instrumental music plays a vital role. The song also could be heard in many performances and audio data. So I can understand more and realize more the greatness of the song with the Master’s thesis and then I hope myself can gain better understanding of the trumpet in the style of classical music and the correct interpretation of the features and direction.
| Identifer | oai:union.ndltd.org:TW/100NTCTC248003 |
| Date | January 2012 |
| Creators | Yu-Kwang Ho, 何昱寬 |
| Contributors | Chih-Hui Hsu, 許智惠 |
| Source Sets | National Digital Library of Theses and Dissertations in Taiwan |
| Language | zh-TW |
| Detected Language | English |
| Type | 學位論文 ; thesis |
| Format | 98 |
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