碩士 / 國立臺灣藝術大學 / 書畫藝術學系 / 101 / After Tang Dynasty, establishment and completion of Calligraphy and Painting research and connoisseur methods can be seen in Zhang Yan Yuan's Calligraphy Record and Famous Paintings of Past Dynasties. Calligraphy Record is a compilation of important theories by people of the earlier periods, Famous Paintings of Past Dynasties has an organized and systematic record from the origins of Chinese painting, theories and methods passed down from teachers, connoisseurship, collection, buying and trading etc, to inscriptions, markings, and mounting of paintings. Until the Song Dynasty, MI-FU is without a doubt the first to have a deeper review and ideas for calligraphy and painting research and connoisseur methods. MI-FU's books, Painting History and Calligraphy History, can clearly see his attitude toward connoisseurship, collection, and observation. Books on Calligraphy written by MI-FU, Calligraphy History and Bao Zhang Fang Lu, have more emphasis on connoisseurship, and MI-FU himself thought his book Calligraphy History to be a work that surpass the work of Zhang Yan Yuan of an earlier period. After having seen these calligraphy theories, Hai-yueh ming-yen and Bao Jin Ying Guang Collection and several inscriptions, along with several authentic handwritings passed down, can be used as references of MI-FU's ideology on calligraphy.
This thesis will mainly focus on Hai-yueh ming-yen to investigate MI-FU's ideology on calligraphy. Other than understanding MI-FU's creation and connoisseurship ideas, further research of his formation of Chong Jin and Bei Tang Guan, and the contradictions and gaps of his criticism will be clarified as well. Also, from the evaluation criterion of seal character feel to running scrip mentioned in Hai-yueh ming-yen, and MI-FU's own seal character pieces and seal carving works to further discuss MI-FU's understanding for "seal characters". Lastly, the thesis will investigate formation of "Shang Yi" in calligraphy during Song dynasty, and MI-FU's criticism of people's calligraphy during the time, comparison of Song dynasty's four main calligraphers, and establishment of calligraphy essence during Song dynasty.
| Identifer | oai:union.ndltd.org:TW/101NTUA0815026 |
| Date | January 2013 |
| Creators | CHEN, I-TSO, 陳俋佐 |
| Contributors | Lin, Long-Dar, 林隆達 |
| Source Sets | National Digital Library of Theses and Dissertations in Taiwan |
| Language | zh-TW |
| Detected Language | English |
| Type | 學位論文 ; thesis |
| Format | 165 |
Page generated in 0.013 seconds