An Interpretational Study of Baroque violin: Based on Heinrich Ignaz Franz von Biber “Rosary Sonata no.16 ” and Marin Marais “Sonata A la Maresienne” / 巴洛克小提琴之演奏詮釋與探討-以海因里希.伊格納茲.弗朗茲.凡.畢貝爾《玫瑰經奏鳴曲第十六號》與馬林.馬瑞《馬瑞風格的奏鳴曲》為例

碩士 / 中國文化大學 / 音樂學系碩士班西洋音樂組 / 101 / The research topic of this thesis will be based on Biber's Rosary Sonata no.16 and Marais's“Sonata A la Maresienne” for violin and Basso continuo.
Biber's violin sonatas have an important role in the history of music,“Passacaglia”, the last work of the“Rosary Sonata no.16” which is a remarkable contrapuntal work that comprises difficult skills and productive music characters, with a result that it becomes the one of the most important piece in the Baroque music and foreshadows Bach's Chaconne. However another composer's work, Marin Marais's “Sonata A la Maresienne” is considered as a suit of Baroque music by the form and the style instead of a sonata. This study will analyze the development of background, harmony, and musical forms to discover the interpretation of these works in Baroque period.

Identiferoai:union.ndltd.org:TW/101PCCU0248003
Date January 2013
CreatorsChang, Lanchun, 張嵐郡
ContributorsChu, Yuyu, 朱育佑
Source SetsNational Digital Library of Theses and Dissertations in Taiwan
Languagezh-TW
Detected LanguageEnglish
Type學位論文 ; thesis
Format60

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