碩士 / 中國文化大學 / 音樂學系西洋音樂組 / 101 / Variation as musical form was applied early and also common in musical works. The form of variation was established in the 16th century, later mainly in variation of ground bass in the Baroque period (for example, in chaconne and passacaglia) and in theme and variations of the Classical period. Variations of the Romantic and later period were freer in compositional skills. There are representative works of variation in each period, to which they are unique in style. Variation with its abundance in categories and forms plays an important role in the western music history.
Variation in F minor Hob.XVII:6 by Haydn and Variation in F major, op.34 by Beethoven are the main issues of this thesis. Firstly, the historical evolution and the categories of variation will be introduced, followed by discussion on the two works, both of which belong to the main variation form in the Classical period--theme and variation, focusing on the different variational techniques and structural usages. The discourse will then start with introduction to the composers’ lives and continue with formal analyses on the works and suggestions for performance interpretation.
This thesis includes five chapters. Chapter One is the preface, Chapter Two is the introduction of variation, Chapter Three is the study of Variation in F minor, Hob.XVII:6 by Haydn, Chapter Four is the study of Variation in F major, op.34 by Beethoven, and the final chapter is the conclusion.
| Identifer | oai:union.ndltd.org:TW/101PCCU0248015 |
| Date | January 2013 |
| Creators | Chen, Pei-Chun, 陳姵君 |
| Contributors | Wang, Jen-Yi, 王真儀 |
| Source Sets | National Digital Library of Theses and Dissertations in Taiwan |
| Language | zh-TW |
| Detected Language | English |
| Type | 學位論文 ; thesis |
| Format | 47 |
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