碩士 / 國立臺南藝術大學 / 民族音樂學研究所 / 101 / Abstract
From adapting, transplanting to composing pieces, Mr. De-hai Liu has
accumulated a large number of his musical works and keeps composing and creating
so far. Fusing traits from different schools with his background of being trained in
different musical genres, Liu has established his own musical style. Therefore, it is
often called “Liu School” nowadays.
The study started from De-Hai Liu’s background of learning pipa to explore the
influences on his later compositions, and further analyzed Liu’s compositions
concerning his composing concepts and the developed techniques. First, through his
compositions Series of Pastorale and Series of Religion, it discussed De-Hai Liu’s
musical thought and ideal and studied techniques created for these pieces in musical
analyses. Next, from the aspects of the composing inspirations, aesthetic thought and
second creations, it further probed into De-Hai Liu’s artistic thought and ideal toward
pipa in full-scale.
Except the literature review and musical analyses, the author arranged an
interview with Prof. De-Hai Liu to get the first information and the full idea about
his viewpoints and concepts concerning pipa arts. The study is expected to help
future performers have more complete knowledge of De-Hai Liu’s musical aesthetics
to interpret pieces from much more aspects while doing second creation.
| Identifer | oai:union.ndltd.org:TW/101TNCA5750008 |
| Date | January 2012 |
| Creators | Tseng-Jung Chuech, 闕岑蓉 |
| Contributors | 鄭德淵 |
| Source Sets | National Digital Library of Theses and Dissertations in Taiwan |
| Language | zh-TW |
| Detected Language | English |
| Type | 學位論文 ; thesis |
| Format | 99 |
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