碩士 / 國立臺北藝術大學 / 傳統音樂學系碩士班演奏組 / 102 / "Music, always drawing from life", this study "Dragon Boat" exactly proves it on its way. This song, "Dragon Boat", which writing about the excited situation of the Dragon Boat Festival, is a well-known song of the southern area of the Qing Dynasty and also a very unique pipa solo. The song shows the strong connection between people to life, the great of pipa’s musical technique of expression by using the folk songs and the percussion "Chuida" into context.
By researched, There are three current wide spreading versions which are on the following: First one , Bu-chan, Zhang passed to son after he had learned from Tzu-Jing, Chan ; The other, Yan-jun, Hua’s performance sheet ; Another, Shi-cheng, Lin’s performing sheet. These three versions are derived from the one of "pu-dong School", Tzu-Jing, Chan, who established the unique solo form of pipa by transit the form of Zhejiang percussion song " boating percussion " .
For research, there are steps of following. First, system all the music background resources of pipa and Qing Dynasty. Second, analyzing the techniques and the music forms of these versions. The three versions all establish on the same structure, but each one has unique context. This difference comes from each performer’s experience and technique.
The resort should shows what is the Aesthetics of the Qing Dynasty music language, how to perform folk songs and "Chuida" on pipa and gives a point of view on pipa’s situation to the readers as a contribution.
| Identifer | oai:union.ndltd.org:TW/102TNUA5247008 |
| Date | January 2014 |
| Creators | Ssu-Ting Lin, 林思廷 |
| Contributors | Hsiu-Chou Lai, 賴秀綢 |
| Source Sets | National Digital Library of Theses and Dissertations in Taiwan |
| Language | zh-TW |
| Detected Language | English |
| Type | 學位論文 ; thesis |
| Format | 111 |
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