碩士 / 中國文化大學 / 音樂學系西洋音樂組 / 103 / This thesis is focused on J. Haydn Piano Sonata in E-flat Major, Hob. XVI: 52. It consists of five chapters.
The first chapter, introduction, includes the studies of motives, purposes, scope and methods.
The second chapter is a description of the creation background, style, analysis, interpretation, and phased introduction to all Haydn’s Piano Sonatas, then to Piano Sonata in E-flat Major, Hob. XVI: 52 unique style as the main subject for discussion.
The third chapter discusses and analyzes individually the three movements of this sonata. Each of which has its own melody, rhythm, and harmony.
The fourth chapter describes the interpretation of this sonata individually according to its three movements.
The fifth chapter concludes the discussions by integrating the results obtained in the previous chapters with commentaries
| Identifer | oai:union.ndltd.org:TW/103PCCU0248016 |
| Date | January 2015 |
| Creators | Kao,Tzu-En, 高慈恩 |
| Contributors | Chu,Hsiang-Tai, 朱象泰 |
| Source Sets | National Digital Library of Theses and Dissertations in Taiwan |
| Language | zh-TW |
| Detected Language | English |
| Type | 學位論文 ; thesis |
| Format | 68 |
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