碩士 / 國立政治大學 / 廣播電視學系 / 104 / Creators often find it hard to control the distance when using their own experiences as the source for creative work. When encountering self-disclosure during creation, creators tend to make too much of a distance to avoid facing their true selves or they often suffer from writer’s block. Through literature study, the examination of existing works, and the reflection of my own reflective process, I intend to explore the specific method of distance control. When facing writer's blocks caused by the intimacy or awkwardness of personal experience, the strategies one could use include changing time and space, recounting the events on diary or to a friend, comparing with others' experience and thinking from a collective perspective. One could also adjust distance between creation and reality by exaggeration, symbolization and other artistic manoeuvres. In this project, I applied and examined the above finding in my own creative process. Except from several versions of creative writings based on the same real life experience, a surreal illustrated book, The Child in the Diving Bell, and its moving picture version were also produced.
| Identifer | oai:union.ndltd.org:TW/104NCCU5472002 |
| Date | January 2016 |
| Creators | 劉燁 |
| Contributors | 林玲遠 |
| Source Sets | National Digital Library of Theses and Dissertations in Taiwan |
| Language | zh-TW |
| Detected Language | English |
| Type | 學位論文 ; thesis |
| Format | 123 |
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