碩士 / 國立中央大學 / 藝術學研究所 / 105 / The subject of this study is the western scene in the calendar posters, mainly the
furniture and decorates, created between 1900s to 1940s. The main purpose is to
reveal the appropriation with western print media in calendar posters and the
imagination of the modern lifestyle and western in late 19th to early 20th in Shanghai.
The thesis is divided into three chapters. Chapter 1 focuses on the applications of
elements in both western and eastern by analyzing the scenes and structures of
calendar posters. The applications of New Year Picture, Folktales and skills of the
Chinese painting in calendar posters are discussed in the first part of this chapter.
Then it views the influents of western print media to the calendar posters by further
understanding of the development of western calendar and advertisement in late 19th
to early 20th. Chapter 2 compares the style of western furniture in calendar posters to
the pictures in western print media. The results not only reveals that the pictures
might be appropriated by the painter when drawing the calendar posters but also
shows the spreading speed of western print media in Shanghai. Chapter 3 discusses
the westernized phenomenon and influents of Art Deco in calendar posters in the
1930s with western interior decorating and furnishings found in the calendar posters.
| Identifer | oai:union.ndltd.org:TW/105NCU05546004 |
| Date | January 2017 |
| Creators | Lo,Yu-Ting, 羅于婷 |
| Contributors | 周芳美 |
| Source Sets | National Digital Library of Theses and Dissertations in Taiwan |
| Language | zh-TW |
| Detected Language | English |
| Type | 學位論文 ; thesis |
| Format | 163 |
Page generated in 0.0014 seconds